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The use of a high-power 24-bit DSP with
two separate "engines"enables you to process entirely different
effects for the left and right channels. You can, for example, use the
VIRTUALIZER PRO as a chorus on one channel and as a reverb on the other –
with individual routing. Needless to say, first-class serial effect combinations,
like tremolo/delay or pitch/reverb, are also possible.
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Many digital reverbs offer only a vague
simulation of real acoustic reverberation. Our algorithms, however, are
extremely complex and detailed. We measured and analyzed the acoustic
properties of several rooms, halls and theatres and developed precise
mathematical models based on the resulting data. These models formed the
basis for programming our algorithms. Accurate calculation of the
hundreds of parameters used in
the physical modeling of buildings includes the definition of so-called
early reflections – an extremely important aspect of room simulation. When
you place an instrument in one of our virtual rooms, you don't end up
with an indefinable sound/effect mix, but rather with a realistic,
healthy-sounding and highly defined clarity you’d never expect from an
electronic device.
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